He’s had more than his share of moments, but the first two Transformers films suffered from the same problem that this fourth one does-after a largely comedic, perfunctorily engaging opening, it devolves into incomprehensible sci-fi gobbledygook and messy, messy action.ĭark of the Moon, which staged its big final fight in Chicago, actually managed to make all that robot fighting finally seem truly epic. Of course, the Transformers series is utterly ludicrous and burdened with Bay’s many flaws as a filmmaker-his over-saturated visuals often make whole scenes look like car commercials his female characters are usually a pair of legs in jorts he leans on ridiculous racial stereotypes even when directing robots and his action sequences more often than not are jarring maelstroms of fire and noise with no coherent throughline. Wahlberg’s an engaging enough star to build some robot explosions around, whereas LaBeouf running around waving his arms and shrieking at everyone had gotten very tiresome indeed. I expected more of the same, except this time without Shia LaBeouf and with Mark Wahlberg, which to me represented a significant upgrade. I plunked down extra cash to see it in 3D, because I had been impressed enough with Bay’s use of the technology in 2011’s Transformers: Dark of the Moon. I’ll admit it-I went into a Friday morning showing of Transformers: Age of Extinction, the fourth in Michael Bay’s epic action saga of robot aliens who disguise themselves as cars, with somewhat high expectations. This article is from the archive of our partner.
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